Vol. 22 No. 2 (2021): Dossier: Current Tango: transmission, phonographic production, creation and “new pioneers”

Director: Adriana Cerletti

Editor-in-Chief: Fátima Graciela Musri

Guest Editor: Marina Cañardo

Published: 2021-11-08

Editorial

• Editorial

  Fátima Graciela Musri

  11-13

  • pdf (Spanish)
  • html (Spanish)

Dossier

• Presentation

  Marina Cañardo

  17-19

  • pdf (Spanish)
  • html (Spanish)

• Music as a Productive Force: Making Things with Tango

  Morgan James Luker

  21-42

  • pdf (Spanish)
  • html (Spanish)

• Tango Records in the Digital Age: Between Innovation and Conservatism

  Jimena Ponce de León

  43-68

  • pdf (Spanish)
  • html (Spanish)

• Meaning and urban representation in the instrumental tango of the 21s century. The album Soundtrack Buenos Aires by Astillero & String Orchestra

  Paloma Martin

  69-100

  • pdf (Spanish)
  • html (Spanish)

• The pioneers of the new “tango canción”: a panorama of women composers in the late 1990s and early 2000s

  Julia Winokur

  101-125

  • pdf (Spanish)
  • html (Spanish)

Articles

• Cadences and tonal dynamism in Manuel de Sumaya's strict style polyphony

  Lucas Reccitelli

  129-187

  • pdf (Spanish)
  • html (Spanish)

• Entre el “Buen Vivir” y los feminismos. Agencia y pensamiento comunitario en los grupos femeninos de música sikuri en Argentina

  Adil Paola Podhajcer, Alejandra Vega

  189-217

  • pdf (Spanish)
  • html (Spanish)

• Women and tango in Santa Fe City society from c1928 to 1998

  Mauricio Andrés Pitich

  219-247

  • pdf (Spanish)
  • html (Spanish)

Book review

• Enrique Encabo e Inmaculada Matía Polo, (eds). Copla, ideología y poder. Madrid: Dyquinson, S.L., 2020. 285 Páginas. ISBN: 978-84-1377-186-1.

  Silvina G. Argüello

  251-255

  • pdf (Spanish)
  • html (Spanish)

• Oscar Olmello. La guitarra clásica en el río de la Plata: Poética y poder de Tárrega a Segovia. Ciudad autónoma de Buenos Aires: EDAMus. Editorial Departamento de Artes Musicales, 2019. 179 páginas. ISBN: 978-987-46224-7-1.

  Mario José Celentano

  255-258

  • pdf (Spanish)
  • html (Spanish)