No. 12-13 (2012): Dossier: Young ethnomusicology in Latin America

RAM_12-13_Cubierta

Dirección: Comisión Directiva de la Asociación Argentina de Musicología

Guest Editor: Enrique Cámara de Landa

Editorial review and layout: Marisa Restiffo y Leonardo J. Waisman

Published: 2018-03-10

Dossier

Bibliographical Commentaries on Present-Day Spanish-American Ethnomusicology.

Enrique Cámara de Landa

17-102
- pdf (Spanish)
Sound Technology and the Naturalization of Sounds in the Peruvian Huayno

Julio Mendívil

103-124
- pdf (Spanish)
The Harp in Andean Cosmology.

Claudio Ferrier

125-150
- pdf (Spanish)
Structures for improvisation in the payada of the River Plate: definition and analysis.

Matías N. Isolabella

151-182
- pdf (Spanish)
The Sound Space of bombo con platillo in Buenos Aires. Between Music, Noise and Invisibility.

Salvatore Rossano

183-204
- pdf (Spanish)
Conditioning Factors in Learning Vocal Jazz in Argentina.

Claudia Rolando

205-248
- pdf (Spanish)

Articles

The political implications of a singular symphonic piece: the “Serenata Interrotta” in Bartók’s Concerto for Orchestra

Héctor E. Rubio

251-266
- pdf (Spanish)
Strategies for Differentiation in Musical Composition: Mario Lavista and Mexico in the Late Sixties and Early Seventies.

Luisa Vilar Payá, Ana R. Alonso Minutti

267-290
- pdf (Spanish)
The Municipal Symphonic Band of Buenos Aires. Initial Task and Critical Reception in the May Revolution Centenary.

Silvina Luz Mansilla

291-314
- pdf (Spanish)
The ‘aesthetic culture’ of Miguel Cané, Alberto Williamsand the Ateneo. Aestheticist discourse and argumentation about the Wagner Festival (1894).

José Ignacio Weber

315-342
- pdf (Spanish)
Aparecida (1986), by Carlos Mastropietro.

Edgardo Rodríguez

343-360
- pdf (Spanish)
Otras voces. Gustavo Beytelmann: a language of his own with roots in tango.

Bárbara Varassi Pega

361-378
- pdf (Spanish)
Distance as Structural Dimension in Music.

Ezequiel Lucas Abregú, Esteban Ramón Calcagno, Ramiro Vergara

379-400

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